Boys of Baraka took more than three years to make, and the experience had a profound effect on us as filmmakers in addition to shaping our views of American society.
We had both made films about the disenfranchised: people living on the margins of society. But the kids we met in Baltimore — and became very close to over the years — were impoverished on a level we hadn't seen so intimately before.
Baltimore is a typical “rust belt” city, filled with seemingly endless blocks of ghettos, boarded-up homes and discarded human beings. Some families are made up of fifth and sixth generations of abject poverty — and the result is extremely destructive, wasteful and ugly. When you grow to love someone who is personally suffering because of the family they were born into, you feel how truly unjust it really is.
The deeper understanding we gleaned about poverty was directly linked to our absolute shock at what the public education system fails to offer inner-city youth. They are taught from their first “institution” (i.e., the school system) what their roles are in American society. In a place where an African American boy who graduates from high school is considered miraculous, ambition and dreams are squashed early on. These children are taught that they are born losers, are instructed to aim as low as possible. The school system seems to be simply a reflection of what society has in store for them.
Yet, once removed from this grim environment, the students seemed to flourish, to become the powerful young men they knew existed inside of them. It was incredible how quickly bad attitudes and tough exteriors dissipated in an atmosphere of positive reinforcement and encouragement. The boys learned to be competitive with their grades, to strive to please their teachers and themselves. They were hungry for knowledge and actively looking forward to their futures. They allowed themselves to fantasize about careers as chemists, teachers, and architects, instead of a life on the corner or on the stoop.
As documentary subjects, the boys illustrated grace and dignity. They confided their hopes and fears with complete openness and brutal honesty. They were funny, curious and tender. Although they came from a bleak and seemingly hopeless world, their humanity shone through.
The experience of meeting these kids and making this film taught us to be more human and less judgmental. The boys would be shocked to know that they taught us so much, and we're eternally grateful to them for that. We hope they will touch audiences in the same profound way they touched us.
— Heidi Ewing and Rachel Grady
Heidi Ewing, Producer/Director
Heidi Ewing is the co-director of Jesus Camp, a provocative documentary on the Evangelical right that was nominated for the 2007 Academy Award. She and Rachel Grady recently premiered 12th & Delaware at the Sundance Film Festival. The film, made in collaboration with HBO, takes a candid look at the war between the pro-life and pro-choice factions. Ewing with Grady also co-directed a recent film on Saudi Arabian teens for MTV and is part of a consortium of filmmakers that adapted the bestselling book Freakonomics for the big screen. Previously, Ewing delved in the dramatic world of Cuban politics with Dissident, a film about the struggle of Havana-based Nobel Peace Prize nominee Oswaldo Paya. Heidi and Rachel Grady are the co-owners of the NYC-based production company Loki Films.
B Grady, Producer/Director
Rachel Grady is a private investigator turned filmmaker. She is the co-director of the Emmy-nominated documentary The Boys of Baraka, which won the 2006 NAACP award for Outstanding Independent Film and aired on P.O.V. She and her directing partner Heidi Ewing followed with Jesus Camp, a startling chronicle of the Evangelical movement through the eyes of young children. The A&E Indie production was released theatrically by Magnolia Pictures and was nominated for Academy Award. She and Ewing recently completed a film on the pro-life movement for HBO. Rachel has produced and directed non-fiction films for MTV, VH1, TLC, CBS, Discovery Channel, A&E and Britain's Channel 4, and in 2007 Time Magazine included her as one of five innovators in documentary film. Rachel and Heidi are the co-owners of the NYC-based production company Loki Films.