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by Loren Mendell
The unlikely story of America's original shock-jock — Petey Greene — who battled the system and his own demons during a time of civil unrest in the nation's capital.
by Vital Pictures
Swedish economist Gunnar Myrdal identified a powerful force in American life: the acceptance of the contradiction between the American Creed held dear and political and social behavior. Through the story of Myrdal’s four year-investigation of Jim Crow racism, his own personal story and the thinking and work of select sociologists, psychologists, and historians, the film explores the contours and consequences today of implicit bias and "denial."
by Jennifer Fox
A true-life series about a black man and a white woman who have struggled for 30 years against racial stereotypes and societal prejudice to keep their family together.
by Frances McElroy
An Angel in the Village follows Lily Yeh's journey from young artist in China to international activist using art to transform destitute urban communities on two continents.
by Carol Cassidy
In blunt, provocative, and often humorous language, young mothers between the ages of 13 and 17, from various social, racial, and economic backgrounds, tell their own stories of what it means to be a teenage mother.
by Marco Williams
From the 1860s to the 1920s, towns across the U.S. violently expelled African American residents. Today, these communities remain virtually all white. As black descendants return to demand justice, Banished exposes the hidden history of racial cleansing in America.
by Constance Marks
Kevin Clash grew up dreaming of working with his idol, master puppeteer Jim Henson. Today, he is the man behind Elmo, among Sesame Street's most beloved characters.
by Gordon Quinn, Bob Hercules, Joanna Rudnick, and Keith Walker
Bill T. Jones: A Good Man follows the Tony Award-winning choreographer Bill T. Jones as he conceives and executes a dance production based on the life of Abraham Lincoln. The New York Times claimed that Jones's "portrayal of Lincoln is likely to scandalize as many people as it delights."
by Robert Levi
The composer of "Take the A-Train" and other Duke Ellington hits, Billy Strayhorn struggled with obscurity and prejudice as a successful gay man in the tumultuous middle of the 20th century.
by Marlon Riggs
Marlon Riggs's final film explores questions of "blackness" and black identity.