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The King
Climb into Elvis’s 1963 Rolls-Royce for a musical road trip and meditation on modern America.
While on a quest to find solutions to the global energy crisis, the CEO of a Vermont electric utility reveals a staggering family secret.
Derek Hallquist has been behind the camera his entire adult life. A go-to shooter for filmmaker Eugene Jarecki, Derek was Director of Photography for The House I Live In, which won the 2012 Grand Jury Prize for Documentary and aired on Independent Lens. He also shot extensively for Reagan, which premiered at the Sundance Film Festival in 2011 and won an Emmy… Show more
Woolf received a master’s in film at the University of Iowa, but got the bulk of his education working in the field in Lima, Mexico City, Los Angeles, and New York. In 2000, Aaron directed Greener Grass: Cuba, Baseball, and the United States, a WNET-ITVS co-production that received a Rockie Award and aired nationally on PBS. In 2003, Aaron directed Dying to Leave: The Global Face of Human Trafficking and Smuggling,… Show more
Christopher St. John is a producer and journalist with broad experience in print, broadcast, and documentary film. He is producing (T)ERROR, a film about confidential informants in the war on terror that premiered at the 2015 Sundance Film Festival. He also produced The House I Live In, about America’s war on drugs, which won the 2012 Sundance Grand Jury… Show more
(Director, Writer, Producer) Eugene Jarecki is an award-winning documentary director and producer. After directing The Trials of Henry Kissinger in 2002, Jarecki won the Sundance Grand Jury Prize and a Peabody Award for his 2005 film Why We Fight. In 2010, he created Move Your Money, a viral short encouraging Americans to shift their money from “too big to… Show more
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Denial follows the story of Dave Hallquist, CEO of a Vermont electric utility, seen through the lens of his filmmaker son Derek, to whom he has granted intimate access for nearly 15 years. As a self-described "closet environmentalist," Hallquist is dedicated to addressing the way electricity use in America contributes to climate change. But his mission is balanced with the utility’s charge to provide affordable and reliable service. For Hallquist, increasing the efficiency of the grid is the only meaningful route to merging these priorities.
He implements one of the country’s first "smart" grids, decreasing outages, increasing capacity for renewable sources and building a national reputation as an energy pioneer. Resistance, however, comes in many forms – traditionalists balk at the renewable intermittency, solar and wind advocates think Hallquist is dragging his feet, and the public fears "smart" meters on their homes will send private information about their energy use to the government. But as Hallquist struggles to build the kind of transparent company whose honest approach can get stakeholders to accept the realities of how we generate and deliver electricity, he realizes he must apply that same transparency to his personal life and reveals to his son a lifelong secret. Dave Hallquist, who presents as a chainsaw-wielding, hardhat-wearing CEO in a male-dominated industry, is a woman inside.
Now Derek’s family must face facts that feel far more immediate than the melting of the polar ice caps. And denial emerges as a common theme linking all of these issues. Ultimately, the personal and the societal come together as Derek learns that his father, newly named Christine, is still indeed his father – and that Christine’s unique perspective as the first American transgender CEO to transition in office, may be just what the limiting, binary worldview on energy and the environment needs.
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