
Independent Lens
No Straight Lines
Five queer comic book artists journey from the margins of the DIY underground comix scene to mainstream acceptance, exploring art as a tool for social change.
When two black churches in South Carolina are burned down, the community must confront the state of race relations in the post-civil rights South.
Michael Chandler is an award-winning filmmaker of both documentary and feature films. He recently directed Fooling with Nature, a Frontline documentary on the adverse impact of man-made chemicals, and is presently producing a Frontline program on college testing and affirmative action. He wrote and edited the Academy Award-nominated documentary Freedom on My Mind,… Show more
Director/Producer Vivian Kleiman is a Peabody Award-winning filmmaker and a Fleishhacker Eureka Fellowship artist. She was the story editor for Wu-Tang Clan: Of Mics and Men, and her work with landmark filmmaker Marlon Riggs includes Tongues Untied, among others. She taught at Stanford University’s Graduate Program in Documentary Film.
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Forgotten Fires investigates the burning of two black churches near Manning, South Carolina, by a young convert to the Ku Klux Klan. Frank interviews with the victims, the perpetrators, their families, and people who live in the community transform a simple black and white news item into a complex account of racism, poverty, denial, repentance, and forgiveness.
Asserting that black churches taught their congregations how to manipulate the welfare system and abuse government subsidies, the Klan set up shop in 1994 in a field near Macedonia Baptist Church. Churchgoers were forced to listen to the Klan’s message of hate as it blared through the stained-glass windows.
On June 20 and June 21, 1995, Timothy Welch and Christopher Cox burned down Macedonia Baptist and Mt. Zion AME Church. They and two older accomplices were found guilty and sentenced to 15 to 21 years in. Both churches have since been rebuilt.
The interviews that comprise Forgotten Fires explore the arsonists’ motives, the losses experienced by the church communities, and the impact of the church burnings on local citizens. The arsonists arouse pity, compassion, and also fear in viewers who grasp how easy it is for people made vulnerable by poverty to choose violence. Forgotten Fires reveals how hate crimes damage the perpetrators as well as their victims.
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