Applying for the Peabody Awards: What You Need to Know

Posted on November 6, 2015
Peabody trophy 1024x683

Every year, the Peabody Awards recognize those who excel in radio, television broadcasting, and online media in America. The judges review over a thousand documentary entries and only a select few are awarded the prestigious gold medallion. With such stiff competition, what makes a film stand out? Earlier this week we hosted a webinar featuring Dr. Nate Kohn and Matt Shedd of the George Foster Peabody Awards at the University of Georgia who gave us the inside scoop. 

Eligibility

The Peabody Awards honor a diverse range of stories across radio, television, and digital media. To qualify, documentaries must have appeared online or on local or national television. Films with minor theatrical releases (art houses, indie theaters) are eligible but those with large-scale theatricals (Friday night release, available in 3k theaters nationwide) are considered major motion pictures and are disqualified.

Submission

When you upload your project for consideration, you’ll be asked to include a short essay. Don’t let this requirement scare you! You won’t be judged on this section, only the project itself. This is your opportunity to tell the judges what the film is about, who was involved in making it, why it’s important, and the impact it’s had. If you have any press reviews or additional content, you can include them in the “Supplementary Material” section. While the film’s reach and impact can be included in the essay or supplementary materials section, it’s what the judges are seeing on screen that matters most. 

Judging

Although you’ll submit your entry into one of six subcategories, this is just a way for the Peabody Board of Jurors to remain organized. The prizes aren’t awarded by category, nor are there finalists or nominees. When the judges meet face-to-face to determine the winners, they have only one criterion on their minds: excellence. They’re looking for stories that matter and documentaries of substance. Films aren’t compared to one another, they’re judged only against themselves. The jurors must unanimously agree on the films that they choose to recognize. This is just some of what we covered in our conversation with Dr. Nate Kohn and Matt Shedd. 

For additional tips on making your submission shine, watch the recording below. ITVS-funded films and Independent Lens broadcasts have won 30 Peabody Awards to date. This webinar is the first of several awards-related webinars presented for free to all filmmakers. Follow us on Facebook or Twitter for more info!


Topics

From our blog

  1. Diverse Stories From The Field

    August 30, 2018

    Starting a new project can be daunting for even the most veteran of filmmakers. From research and development to acquiring archival footage, where does one begin? The answers may lie in ITVS’s Diversity Development Fund, which provides you seed funding for all of the above and more.Hear from our filmmakers on how the Diversity Development Fund was

  2. Filmmaker, Festival Director, and Academic Gita Saedi Kiely Joins the ITVS Board of Directors

    August 1, 2018

    Elected in July, Gita Saedi Kiely has joined the ITVS Board of Directors. She is an accomplished leader who brings to the Board extensive experience in the documentary world.From 2012 to 2016, Saedi Kiely served as the Executive and Festival Director at the Big Sky Documentary Film Festival, in Missoula, MT, the premier non-fiction film destination in the

  3. Approaches from Insiders and Outsiders

    July 11, 2018

    Illuminating the human condition: it’s a theme that pervades some of the most effective documentaries. Getting there has multiple paths and as a filmmaker, you have baggage you bring. For The Judge, filmmaker Erika Cohn was a complete outsider in her story and had to build trust with strangers. Bing Liu, on the other hand, mined his own community