Launching the careers of luminaries, Ferus built an art scene from scratch and transformed the cultural climate of the West Coast.
Neil Berkeley has been working as a designer and director in film and television for over ten years. His work includes main title designs for some of the most popular shows on television and he has directed several national commercials. He has also developed main titles for documentaries including The… Cool School, Johnny Cash’s America, Air Guitar Nation, and Respect Yourself: The Story of Stax Records.
Since 2009, Mr. Berkeley has operated his design-based production company, BRKLY. The company developed most of the animated sequences in Beauty Is Embarrassing including the Mimi Pond Cartoon, the Pee-wee's Playhouse sketches, and the end credits. Beauty Is Embarrassing is Mr. Berkeley's first feature length documentary.
Morgan Neville is an award-winning documentary filmmaker who specializes in history and cultural subjects. Through a series of films on important music subjects (including The Brill Building, Sam Phillips and Sun Records, Nat King Cole, Brian Wilson, Leiber & Stoller, The Highwaymen, and Burt Bacharach),… Neville has documented stories of songwriters and producers who helped shape 20th-century music, including the Grammy-nominated Muddy Waters Can’t Be Satisfied and the Emmy-winning Hank Williams: Honky Tonk Blues, both of which aired on PBS’s American Masters series as well as Channel 4/UK and the BBC’s Arena series. Neville’s first theatrical documentary was the award-winning feature Shotgun Freeway: Drives Thru Lost L.A., an examination of the meaning of history in the City of Angels. More recently, Neville has recently directed specials for A&E such as Honky Tonk Angels: Women in Country Music and Hollywood Home Movies, a history of the movie business using found footage. He directed the multiple award-winning Shakespeare Was a Big George Jones Fan and is directing Respect Yourself: The Stax Records Story, both for PBS.
Neville has also produced various projects for cultural institutions such as the Los Angeles County Museum of Art, the Country Music Hall of Fame and Museum, and the J. Paul Getty Museum. His company, Tremolo Productions, is based in Los Angeles.
For over 30 years, Wayne White has made an indelible mark on the creative world. As a designer, painter, puppeteer, sculptor, and musician, White has created images and ideas that are an integral — yet sometimes subconscious — part of the pop culture lexicon. To this day, he still gets up every morning to do the only thing his body and mind were made to do … create, whether the world acknowledges it or not.
Part biography, part live performance, Beauty Is Embarrassing tells the irreverent and inspiring story of this one-of-a-kind visual artist and raconteur. The film traces White’s career from an underground cartoonist in New York’s East Village to his big break as a designer, puppeteer, and voice-over actor on Pee-wee’s Playhouse for which he won three Emmy awards. It follows his successes — designing and animating for other children’s shows like Beakman’s World and music videos for The Smashing Pumpkins (“Tonight, Tonight”) and Peter Gabriel (“Big Time”) — as well as a dark period of struggle and self-reflection before he emerged in his present-day incarnation as a respected painter and performer. The film, like White, embraces the ragged edges and messy contradictions of life, art, and family with rabid humor and honesty.
For two years, filmmaker Neil Berkeley traveled with White through Houston, Miami, New York, Chattanooga, Nashville, and Los Angeles retracing his steps from childhood to parenthood. He peeled back layer after layer of White’s singular creative process and his astonishingly prolific career. In addition to the 300+ hours of footage shot by Berkeley and his team, the director discovered hours of video which White shot throughout his career, including never-before-seen behind the scenes footage of Pee-wee’s Playhouse— now included in Beauty Is Embarrassing.
Wayne White’s trip to the top came relatively early in life but was followed by a fall that felt all too real. Yet, as White explains in the film, there are sometimes second acts in life that take us to new heights — without compromise. At its core, Beauty Is Embarrassing shows what it takes for one uniquely talented, profanely hilarious, and utterly uncompromising artist to make it in America.