There’s nothing quite like catching a 60-pound catfish with your bare hands, and Oklahoma fishermen have been for hundreds of years.
The former lead mining town of Picher, Oklahoma is one of the most toxic places in America, but a dwindling population still calls it home.
Julianna Brannum is currently producing an episode in a five-part series for PBS’s American Experience on the rise of Native American activism in the 1960s and ’70s. She also recently worked as associate producer for a Discovery Channel documentary series, Play’s Anatomy: The History of Video… Games. Prior to that, she served as segment producer for LTN’s Red Light, a documentary-like weekly lifestyle program on Los Angeles subcultures. In additional to working as a producer, Brannum also spent eight years working as a film programmer for AFI Fest, the Los Angeles Film Festival and Film Independent (formerly IFP/Los Angeles). She has also consulted on various film projects and film festivals. Brannum is a graduate of the University of Oklahoma where she studied journalism/radio/TV/film production. She is a member of the Comanche Tribe of Oklahoma.
San Francisco-based filmmaker Bradley Beesley has been named one of Filmmaker’s Top 25 Independent Filmmakers. His 2005 documentary The Fearless Freaks, featuring the Flaming Lips, has screened worldwide and aired on the Sundance Channel. Summercamp!, which Beesley co-directed with… Sarah Price, premiered at the 2006 Toronto International Film Festival. Beesley also directed Roller Girls, an episodic documentary for A&E, and Okie Noodliing (2001), an ITVS program. His long-term collaboration with the Flaming Lips includes co-directing 10 of their music videos and acting as producer and cinematographer on the sci-fi narrative Christmas on Mars. Beesley’s first film, Hill Stomp Hollar, won first runner-up at the 1999 SXSW film festival.
James Payne has worked on the productions of several award-winning feature documentaries including Hill Stomp Hollar (2000), The Fearless Freaks (2005), and Okie Noodling (2001), which he wrote and produced with longtime friend Bradley Beesley. In 2006, Payne started the Fieldguide… Media Company, which focuses on documentary productions. In addition to producing and directing, he works as a sound recordist in narrative, documentary, network television, and commercial productions.
Located in the northeast corner of Oklahoma, the town of Picher was once home to the world’s richest lead and zinc mining field. But since the area was declared a Superfund site in 1981, Picher’s residents have been forced to choose between preserving their image of the American dream and preserving their health. The Creek Runs Red journeys into the heart of a sharply divided community to reveal an array of human reactions to an environmental disaster.
After decades of mining, towering piles of mine waste covered 25,000 acres, devastating Quapaw tribal lands and local economies. Acid mine water burned nearby Tar Creek and stained it red. Despite these environmental hazards, many people in Picher desperately wished to stay and revitalize their town.
But when an alarmingly high percentage of local children were found to have toxic levels of lead in their blood, a committee was quickly formed to relocate the town. Property values plummeted and the EPA arrived to replace tainted soil in yards. Some residents resented what they saw as an invasive presence by the federal government in one of the state’s poorest counties. Meanwhile, others wondered if the environment might also be to blame for high rates of cancer and other diseases.
The Creek Runs Red is an emotionally stirring and intimate portrait of a small town struggling to determine its future in light of its past.