During his transition from female to male, Bennett is taken under the wing of his musical hero, transgender folk singer Joe Stevens.
Three women from vastly different backgrounds unite to protest the deaths of their sons, all of whom died suspiciously in custody of the NYPD.
In the late 1990s, three victims of police brutality made headlines around the country: Amadou Diallo, the young West African man whose killing sparked intense public protest; Anthony Baez, killed in an illegal choke-hold; and Gary (Gidone) Busch, a Hasidic Jew shot and killed outside his Brooklyn home. Every Mother’s Son profiles three New York mothers who unexpectedly find themselves united to seek justice and transform their grief into an opportunity for profound social change.
It was Iris Baez, who had become a veteran activist since her son Anthony’s death, who approached Amadou’s mother, Kadiatou, and Gary’s mother, Doris, after their sons were killed. As a Puerto Rican woman from the Bronx, a West African woman who relocated to New York, and a Jewish woman from Long Island, they made an unlikely but powerful team.
The grassroots movement they inspired in New York is challenging the militarization of law enforcement and the erosions of constitutional protections. When police kill someone under suspicious circumstances, the mothers assemble to help the family deal with its grief and to seek the truth and accountability. The mothers have also become advocates for police reforms, including better training and more citizen oversight, and have connected to a larger national movement against police brutality.