In 1934, thousands of workers participated in the largest single-industry strike in history. Southern communities are still living with the consequences.
A woman who contracted cancer as the result of exposure to a synthetic hormone in utero documents her journey with humor and grace.
Filmmaker, activist and educator Judith Helfand is best known for her ability to take the dark, cynical worlds of chemical exposure and heedless corporate behavior and make them personal, resonant, highly charged, and entertaining. Her films, The Uprising of ’34 (co-directed with George Stoney),… the Sundance-award-winning Blue Vinyl (co-directed with Daniel B. Gold and nominated for two Emmys), and its Peabody-award-winning prequel A Healthy Baby Girl (a five-year video-diary about her experience with DES-related cancer), explore home, class, corporate accountability, intergenerational relationships, and the ever shrinking border between what is personal and what is a critical part of the public record.
A Healthy Baby Girl is an intimate, humorous, yet searing exploration of what happens when science, marketing, and corporate power enter our deepest family relationships. A Healthy Baby Girl is an intergenerational story of one family’s response to an ethical and technological crisis, experienced from their home in Merrick, Long Island.
In 1963, filmmaker Judith Helfand’s mother was prescribed the drug diethylstilbestrol (DES), meant to prevent miscarriage and ensure a healthy baby. But technology is rarely a benign midwife. In 1990, at age 25, Helfand was diagnosed with DES-related cervical cancer. She went home to her family to heal from a radical hysterectomy. There she picked up her camera. Her video diary, A Healthy Baby Girl, was shot over five years and goes beyond loss to document mother-daughter love, family renewal, survival, political awakening, and community activism.