Homegoings

The beauty and grace of African American funerals are brought to life through the eyes of funeral director Isaiah Owens.

Film Signature Image
Series
POV
Premiere Date
June 24, 2013
Length
60 minutes
Funding Initiative
Open Call
Diversity Development Fund
  • Award laurels-r Created with Sketch.
    2013 American Black Film Festival-Best Documentary
  • Director/Producer

    Christine Turner

    Christine is an independent filmmaker based in New York. As a researcher and producer, she has contributed to numerous documentaries for PBS, HBO, and OWN, having worked with Bill Moyers, Lisa Ling, and others. In addition, her short fiction films have screened at the Tribeca Film Festival, San Francisco International Film Festival, and on PBS. Homegoings Show more is Christine's feature directorial debut. Show less

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    The Film

    On the surface, Isaiah Owens might sound a little odd: A South Carolina boy obsessed with funerals grows up to be a renowned funeral director in New York City's historic Harlem neighborhood. The bigger picture, as captured in the documentary Homegoings, shows an exceptionally warm-hearted, philosophical man who pursues his business with equal care for the living and for the dead. He combines instinctive sympathy for the bereaved with a deep knowledge of African-American funeral customs that aim to turn sorrow into an affirmation of faith that loved ones are going "home."

    Paradoxically, Owens' success reveals that this precious tradition, formed in a time of rigid segregation, is disappearing. Owens routinely receives invitations to sell his establishment to bigger companies, but he always turns them down. "I'm trying to create a business that could take care of my family for maybe the next hundred, 200 years," he explains. In doing so, he is also carrying forward a legacy — dating back more than a century — of the black funeral director as a pillar of the community. Weaving in an ensemble of Owens' customers, who express a mix of grief, humor and celebration, Homegoings is a moving portrait of a man with a rare passion and of the inspired, if threatened, African-American way of death.

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