I Am Not Your Negro

I Am Not Your Negro envisions the book James Baldwin never finished, a radical narration about race in America.

James Baldwin sitting in crowd
Series
Independent Lens
Premiere Date
January 15, 2018
Length
90 minutes
Funding Initiative
Series and Special Projects
  • Nominated laurels-r Created with Sketch.
    2017 Academy Awards-Best Documentary Feature
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    2018 British Academy of Film and Television Arts (BAFTA)-Best Documentary
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    2016 International Documentary Association (IDA)-Best Writing
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    2018 News and Documentary Emmy Awards-Outstanding Arts and Culture Documentary
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    2018 News and Documentary Emmy Awards-Best Documentary
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    2018 Peabody Awards-George Foster Peabody Award
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    2016 International Documentary Association (IDA)-Best Feature Award
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    2016 International Documentary Association (IDA)-ABC News VideoSource Award
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    2016 Cinema Eye Honors-Best Feature
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    2016 Cinema Eye Honors-Audience Choice
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    2016 Cinema Eye Honors-Outstanding Achievement in Editing
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    2016 Cinema Eye Honors-Outstanding Achievement in Original Musical Score
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    2016 NAACP Image Award-Outstanding Documentary – (Film)
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    2017 Berlin International Film Festival-Panorama Audience Award, Best Documentary
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    2017 Directors Guild of America-Outstanding Directorial Achievement in Documentary
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    2017 Independent Spirit Awards-Best Documentary
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    2016 Los Angeles Film Critics Association Awards-Best Documentary/ Non Fiction
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    2016 San Francisco Film Critics Circle-Best Documentary
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    2016 Toronto International Film Festival (TIFF)-Grolsch People's Choice Documentary Award
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    2016 Chicago International Film Festival-Audience Award for Best Documentary
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    2016 Hamptons International Film Festival-Audience Award for Best Documentary Feature
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    2016 Philadelphia Film Festival-Documentary Feature Competition
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    2017 The Grierson Trust-Best Historical Documentray
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    2017 The Grierson Trust-Best Cinema Documentary
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    2018 Movies For Grownups Awards (AARP)-Best Documentary
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    2018 FOCAL International Awards-Best Use of Footage in a Cinematic Feature
  • Producer/Director

    Raoul Peck

    Raoul Peck’s complex body of work includes films The Man by the Shore (Competition Cannes, 1993); Lumumba, (Director’s Fortnight, Cannes, 2000; aired on HBO); He directed and produced Sometimes in April for HBO (Berlinale, 2005); Moloch Tropical (Toronto, 2009; Berlin, 2010); and Murder in Pacot (Toronto, 2014; Berlin, 2015). His documentaries Show more include Lumumba, Death of a Prophet (1990); Desounen (1994, BBC); Fatal Assistance (Berlinale, Hot Docs, 2013), supported by the Sundance Institute and BritdocFoundation (UK), and broadcast on major TV channels (Canal+, ARTE, etc.) He served as jury member at the 2012 Cannes Film Festival, is presently chairman of the National French film school La Femis, and has been the subject of numerous retrospectives worldwide. In 2001, the Human Rights Watch Organization awarded him with the Irene Diamond Lifetime Achievement Award. His feature film The Young Karl Marx, a European co-production, was shot in Germany and Belgium (produced by Velvet Film, in coproduction with Agat Films). Show less

    Producer

    Rémi Grellety

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    The Film

    In 1979, James Baldwin wrote a letter to his literary agent describing his next project, to be called Remember This House. The book was to be a revolutionaryrevolutionary, personal account of the lives and successive assassinations of three of his close friends — Medgar Evers, Malcolm X and Martin Luther King, Jr. But at the time of Baldwin’s death in 1987, he left behind only 30 completed pages of his manuscript.

    Now, in his incendiary documentary, master filmmaker Raoul Peck envisions the book James Baldwin never finished. The result is a radical, up-to-the-minute examination of race in Americn 1979, James Baldwin wrote a letter to his literary agent describing his next project, to be called Remember This House. The book was to be a revolutionaryrevolutionary, personal account of the lives and successive assassinations of three of his close friends — Medgar Evers, Malcolm X and Martin Luther King, Jr. But at the time of Baldwin’s death in 1987, he left behind only 30 completed pages of his manuscript.

    Now, in his incendiary documentary, master filmmaker Raoul Peck envisions the book James Baldwin never finished. The result is a radical, up-to-the-minute examination of race in America, using Baldwin’s original words, spoken by Samuel L. Jackson, and a flood of rich archival material. I Am Not Your Negro is a journey into black history that connects the past of the Civil Rights movement to the present of #BlackLivesMatter. It is a film that questions black representation in Hollywood and beyond. And, ultimately, by confronting the deeper connections between the lives and assassination of these three leaders, Baldwin and Peck have produced a work that challenges the very definition of what America stands for. a, using Baldwin’s original words, spoken by Samuel L. Jackson, and a flood of rich archival material. I Am Not Your Negro is a journey into black history that connects the past of the Civil Rights movement to the present of #BlackLivesMatter. It is a film that questions black representation in Hollywood and beyond. And, ultimately, by confronting the deeper connections between the lives and assassination of these three leaders, Baldwin and Peck have produced a work that challenges the very definition of what America stands for.

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