Independent Lens, Global Voices
Sumo wrestling offers a window into the cultural collision of East and West as worldwide interest grows and foreigners rise to the top.
What is taboo for humor, seen through the lens of the Holocaust and other seemingly off-limits topics, in a society that prizes free speech.
Ferne Pearlstein is a prizewinning cinematographer, a feature film editor, and a writer/director whose work has won numerous awards and been screened and broadcast around the world. Pearlstein holds postgraduate degrees in documentary film and photography from Stanford University and the International Center of Photography. In 2003, Pearlstein‘s… Show more feature documentary Sumo East and West premiered at the Tribeca, Los Angeles, and Melbourne International Film Festivals, and was shown on PBS's Independent Lens and broadcast around the world. Her other director credits include Dita and the Family Business (PBS) with Josh Taylor, and her debut short Raising Nicholas, which premiered at the 2003 Sundance and San Francisco Gay and Lesbian Film Festivals. Pearlstein is one of only a handful of female cinematographers featured in Kodak's long-running “On Film” ad campaign in the pages of American Cinematographer magazine. In 2004, she won the Excellence in Cinematography Prize at the Sundance Film Festival for her work on Imelda, a feature documentary about Imelda Marcos for which she lived and traveled with the former First Lady of the Philippines during her campaign for the presidency. She was cinematographer on Academy Award winner Alex Gibney’s segment of Freakonomics; DP on three-time Academy Award nominee Deborah Dickson’s Ruthie and Connie (HBO); and DP on The Voice of the Prophet (Sundance, 2002) where she met her long time collaborator and husband Robert Edwards, who had hired her to shoot the film. They have been producing partners ever since. Pearlstein went on to co-produce and edit, as well as direct and shoot 2nd unit, Edwards’ first feature Land of the Blind, starring Ralph Fiennes and Donald Sutherland, which premiered at the 2006 Tribeca Film Festival. Most recently, she was a producer on Edwards’ feature One More Time (aka When I Live My Life Over) starring Christopher Walken and Amber Heard, which premiered at the 2015 Tribeca Film Festival. Show less
Based in New York City, Robert Edwards is a graduate of Stanford University’s Master’s Program in Documentary Film and a former infantry and intelligence officer in the United States Army in Europe, the U.S., and the Middle East, including service with a parachute infantry regiment in Iraq in the Persian Gulf War. His award-winning film Paranoia,… Show more inspired by a skydiving accident in which he broke his back, has been screened and broadcast on television and at film festivals in more than a dozen countries. Among his credits as an editor are Barry Levinson’s feature-length documentary Yesterday’s Tomorrows for Showtime, part of a traveling exhibition of the Smithsonian Institution; Abandoned: The Betrayal of America’s Immigrants, for PBS, which won a DuPont-Columbia Journalism Award; Stopwatch, a PBS documentary by Bill Jersey and Michael Schwarz; and In Search of Law and Order: Catching Them Early, the final episode in the landmark three-part series on juvenile justice directed by Ray Telles and produced by Michael Schwarz and Roger Graef for PBS and Channel Four. His documentary short The Voice of the Prophet, an interview with Rick Rescorla, a veteran of three wars and head of security for Morgan Stanley Dean Witter who was killed in the September 11 attack on the World Trade Center, screened at the 2002 Sundance Film Festival. Edwards recently won a Nicholl Fellowship in Screenwriting from the Academy of Motion Picture Arts and Sciences for his screenplay Land of the Blind. Show less
The Last Laugh proceeds from the premise that the Holocaust would seem to be an absolutely off-limits topic for comedy. But is it? History shows that even the victims of the Nazi concentration camps themselves used humor as a means of survival and resistance. The Last Laugh weaves together an intimate portrait of Auschwitz survivor Renee Firestone alongside interviews with influential comedians and thinkers ranging from Mel Brooks, Sarah Silverman, and Gilbert Gottfried to authors Etgar Keret and Shalom Auslander, Abraham Foxman of the Anti-Defamation League, as well as archival material ranging from The Producers and Curb Your Enthusiasm, to clips of comics such as Louis CK, Joan Rivers, and Chris Rock, and from newly discovered footage of Jerry Lewis’s never-released film The Day the Clown Cried, to rare footage of cabarets inside the concentration camps themselves.