Following three Indigenous students, Scenes from the Glittering World is a meditation on adolescence, trauma, and the power of connecting with an isolated Navajo homeland.
The essential bond between humans and animals is a story told against the backdrop of one of the worst disasters in U.S. history.
Co-founder of Smush Media, Geralyn Pezanoski has 12 years of experience in film and video production, and makes her feature directorial debut with Mine. Film producing credits include the narrative short, On A Tuesday (Santa Barbara & LAIFF) and Motherland (SXSW); directing credits include the doc series Firehouse (Sony Pictures Entertainment).… Show more She lives in San Francisco with her husband Peter and their dog Nola. Erin Essenmacher is a writer, director, and producer with more than 10 years of experience in corporate, nonprofit, and broadcast production, with a strong focus on documentary. Credits include a wide range of independent and broadcast documentary projects for PBS, The Discovery Channel, Animal Planet, The History Channel, and Court TV. She splits her time between the San Francisco Bay Area and New York City. Show less
Essenmacher is a writer, director, and producer with more than 10 years of experience in corporate, nonprofit, and broadcast production, with a strong focus on documentary. Credits include a wide range of independent and broadcast documentary projects for PBS, The Discovery Channel, Animal Planet, The History Channel, and Court TV. She splits her time… Show more between the San Francisco Bay Area and New York City. Show less
As Hurricane Katrina bore down on New Orleans, the mayor issued a last-minute order for everyone to evacuate. In the clamor to get out of the city, many pet owners left their animals with food and water, fully intending to return in a few days.
The result was that tens of thousands of domesticated pets were left in a devastated city. Those that survived the storm and the floods faced grim odds of surviving the heat, without fresh water or enough food to last the weeks or months before their owners were permitted back into the city to rescue them. Mine follows some of the hundreds of volunteers who mobilized in the hours and days after the storm, entering the city and capturing as many stranded pets as they could find. These volunteers often provided lifesaving medical care to the injured, dehydrated, and hungry animals. Massive temporary animal shelters sprung up in the suburbs of New Orleans, where the lucky pets who survived waited to be reunited with their owners or adopted out.
Rescue groups went about trying to find homes for the pets in their care, sometimes erroneously designating them as “owner surrender” or “stray.” People around the country opened their homes to Katrina dogs and cats, giving them loving homes and bonding with them. But many displaced pet owners were conducting tireless and frantic online searches for their lost pets, often feeling overwhelming amounts of helplessness, grief, and guilt for having had to leave them behind. No comprehensive system for reuniting Katrina pets and owners ever existed.
In the fraught cases of the rescued pets and people portrayed in Mine, the original owners' fight to get their animals back forces us to ask what makes a pet “ours.” Is love enough?