
Independent Lens
Belly of the Beast
In California’s women prisons, incarcerated people who were sterilized without their consent fight for justice.
One woman’s mission for peace in her country beset by genocidal violence shows a story of forgiveness, hope, and the joy of family life.
Having worked in various capacities at Big Mouth since 2003, Beth Davenport brings more than eight years of production and outreach experience in television, commercials and award-winning documentaries for P.O.V., Sundance Channel, BBC, and Arte France as well as directing advocacy videos and short films. Film credits include the Emmy-nominated… Show more
Elizabeth Mandel produced the film Arctic Son (premiered at Full Frame, 2006, broadcast on P.O.V. in 2007) with Dallas Brennan Rexer. She was a co-producer on Jennifer Fox's film and six part series, Flying: Confessions of a Free Woman; served as an associate producer for Jasmine Dellal’s When the Road Bends … Tales of a Gypsy Caravan, and was the producer of… Show more
A Brooklyn-based filmmaker and writer, Angela Tucker was the director of production at Big Mouth Films, a social issue documentary production company that is a project of Arts Engine, Inc. Along with Pushing the Elephant (Independendt Lens), Angela produced the Emmy-nominated documentary Deadline (NBS), Election Day (P.O.V.), and Beyond the Steps: Alvin Ailey American Dance Theater (Great Performances).… Show more
Katy Chevigny is an award-winning filmmaker and co-founder of Big Mouth Productions. Most recently, she produced Dark Money, which premiered at the 2018 Sundance Film Festival, and she directed one of the storylines in Kartemquin Films’ documentary series Hard Earned, winner of a 2016 Alfred I. DuPont Award, which explores the lives of five American… Show more
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In the late 1990s, Rose Mapendo was imprisoned with her family during violence that engulfed the Democratic Republic of Congo. Her harrowing experience included the nighttime arrest of her entire family by government agents, the execution of her husband, the birth of their twin sons in prison, and grim negotiations with prison guards to save the lives of her children. She emerged from the harrowing experience advocating forgiveness and reconciliation. In a country where ethnic violence has created seemingly irreparable rifts among Tutsis, Hutus, and other Congolese, this remarkable woman is a vital voice in her beleaguered nation’s search for peace. Now, Rose is confronted with teaching one of her most recalcitrant students how to forgive — Nangabire, the daughter who remained behind.
When war came to Rose’s village, she was separated from Nangabire, who was 4 years old at the time. Rose managed to escape with nine of her 10 children and was eventually resettled in Phoenix, Arizona. More than a decade later, Rose and Nangabire are reunited in Phoenix where they must face the past and build a new future.
Rose struggles to find balance in her life as a mother of 10 and a full-time advocate for refugees, women, and peace in her country. Her speaking engagements take her around the world — from the White House and the United Nations High Commissioner for Refugees in Geneva, to meetings with displaced women in Congo. Meanwhile Nangabire, now 17, must adapt to America and discover how she fits into the sprawling Mapendo family. As they get to know one another, the mother and daughter must come to terms with a painful past, and define what it means to be a survivor, a woman, a refugee, and an American.
This family portrait unfolds against the wider drama of war, and explores the long-term and often hidden effects of war on women and families, particularly those in traditional societies — financial despair, increased susceptibility to rape, and social ostracism. We also explore what it means to become an active advocate for a peaceful and hopeful future.
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