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  1. Open Call Recipients: Michael Collins and Marty Syjuco, Filmmakers of GIVE UP TOMORROW

    June 11, 2009

    ITVS’s Open Call provides finishing funds for single non-fiction or animation public television programs on any subject and from any viewpoint. Projects must have begun production as evidenced by a work-in-progress video. Check out the clip below with filmmakers Michael Collins and Marty Syjuco, who received Open Call funds for their film GIVE UP

  2. Open Call Recipient: Aaron Schock, Filmmaker of CIRCO

    June 3, 2009

    ITVS funds, distributes and promotes new programs produced by independent producers primarily for public television and beyond. Aaron Schock produced and directed CIRCO, which looks at the hardscrabble Ponce family circus in Mexico who are struggling to preserve their art and way of life against a collapsing rural economy. Schock received ITVS’s Open

  3. Open Call Recipients: Noland Walker and Sharon LaCruise, Filmmakers of IN THE SHADOW LITTLE ROCK

    June 1, 2009

    ITVS's Open Call provides finishing funds for single non-fiction or animation public television programs on any subject and from any viewpoint. Projects must have begun production as evidenced by a work-in-progress video. Check out the clip below with filmmakers Noland Walker and Sharon LaCruise, who received Open Call funds for their film IN THE

  4. Filmmaker Profile: Peter Rosen, GARRISON KEILLOR: The Man on the Radio in the Red Shoes

    May 29, 2009

    Peter Rosen’s career wasn’t always in filmmaking. Shortly after graduating from Cornell University with a degree in architecture, he changed course and decided to pursue his passion––film. “Once I saw you had to work for some company for about 30 years before they would actually let you design anything, I quit after a year or so,” Rosen says. Since he was a

  5. ITVS Programming Department and Panel Review

    May 18, 2009

    The ITVS office has been abuzz with a milestone for the Programming department known as Panel Review, which has filmmakers around the world anxiously waiting for the news that they’ll be awarded the jackpot to finish their documentary. On occasion, you might wonder “How does ITVS select its programming?” It’s no easy task as we aim to fund the highest