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Recent Posts

  1. Legalities of Hip-Hop Front and Center in D.C.

    November 29, 2010

    Michon Boston is Community Cinema’s regional outreach coordinator in Washington, D.C. She helped organize a recent panel about legal issues raised in the documentary Copyright Criminals and filed this report. Earlier this year, Community Cinema D.C. partnered with Words Beats & Life Inc. for its presentation of Copyright Criminals. WBL Inc.

  2. Live Chat on International Call

    November 23, 2010

    ATTENTION non-U.S. filmmakers, the new International Call deadline of December 10, 2010 is sneaking up on us all. In order to prepare the most competitive applications possible, ITVS is pleased to be hosting this live chat about the funding deadline to answer questions about the application process. Senior Programming Manager Cynthia Kane and ITVS

  3. Next on BTB Live: All About International Call

    November 22, 2010

    ATTENTION all non-U.S. filmmakers, the new International Call deadline of December 10, 2010 is quickly approaching. Join us this Wednesday November 24 for a live chat here at 5 AM Pacific Standard Time. ITVS Programming Manager Cynthia Kane will be taking your questions so be sure and find out what time the chat is for you. All questions are welcome on the

  4. International Call Profile: Rachel Wexler

    November 12, 2010

    With the International Call deadline less than a month away (December 10, 2010!), BTB is highlighting past recipients of funding through that initiative. This week, we turn to Producer Rachel Wexler who teamed up with Director Geoffrey Smith on his Emmy Award-winning documentary The English Surgeon. Wexler is also attached to the ITVS-funded film My

  5. International Call Profile: Simon Chambers

    November 5, 2010

    As the new International Call deadline quickly approaches (December 10, 2010!), BTB is highlighting past recipients. This week, we turn to filmmaker Simon Chambers and his film Cowboys in India, which will air on Global Voices next year. The film follows one tribe’s fight to rescue a sacred mountain from a multinational mining company. For those