ITVS in the News

Posted on February 1, 2012

A sampling of coverage from the New York Times, Realscreen, and more …


New York Times: Sundance Documentaries Transform Data Into Stories Over the weekend, The House I Live In, Eugene Jarecki’s heart-heavy investigation into the American war on drugs, nabbed the grand jury prize for documentary at the Sundance Film Festival. 

Miller-McCune Magazine: Does Black History Month Need More Than a Month? At a time when so many documentaries adopt an either angry or elegiac tone, More Than a Month has a disarmingly light touch. Among the several laugh-out-loud moments is a brief parody of Ken Burns’s The Civil War, featuring the filmmaker in period costume. Tilghman’s a great guide on this journey: he’s genuinely troubled by the questions he raises, but he’s also unpretentious, quizzical, and, at times, bemused. 

Realscreen: Sundance 2012: “House I Live In,” “Versailles” scoop prizes Eugene Jarecki’s The House I Live In (pictured) has won the Sundance 2012 Grand Jury Prize for Documentary, with Lauren Greenfield’s The Queen of Versailles picking up the U.S. Directing Award for Documentary, and two docs about the ongoing Israel/Palestine conflict also winning accolades. 

Realscreen: Winter/spring schedule for PBS’ ‘Independent Lens’ unveiled U.S. public broadcaster PBS has revealed the winter/spring 2012 programming line-up for its acclaimed documentary strand ‘Independent Lens,’ including Hell and Back Again (pictured) and We Were Here, both shortlisted for Academy Award nominations this year. 

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From our blog

  1. ITVS Honored with Four Peabody Awards

    April 16, 2019

    We are pleased to announce that of the eight winners in the Documentary category of the prestigious Peabody Awards, ITVS-funded filmmakers were honored with four awards. The 2019 Peabody Award recipients were Minding the Gap, Lorraine Hansberry: Sighted Eyes/Feeling Heart,  Dolores, and The Judge. Honoring the “most powerful, enlightening and

  2. Who Gets To Tell These Stories Matter

    March 8, 2019

    Orthodox Jewish culture, paramedics, and humor round out director Paula Eiselt's intimate portrait of a group of women in Brooklyn who pushed back against their establishment.  Paula was able to draw upon her cultural connection to the women who form the Ezras Nahim collective and build the trust needed to tell their story.  With grace and patience,

  3. That's A Wrap, ITVS Independents Summit Winter 2019

    February 28, 2019

    What could be more dramatic than a meeting of fresh, creative minds coming together to discuss the future of independent films? The ITVS Independents Summit is a gathering of filmmakers, ITVS staff, and partners to exchange views on the best approach to bring more diverse content to public media.  For one week, we opened our doors and welcomed an