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National Issues, Local Impact.

We asked member station PBS SoCal to share some tips and insight into what it is like to work with filmmakers and execute an Indie Lens Pop-Up Event.

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When Money and Businesspeople Flood the Documentary Field, Does the Rising Tide Lift All Boats?

Recent Posts

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    And the Emmy Goes To...

    October 1, 2018

    In a room filled with independent filmmakers and journalists, the 2018 News and Documentary Emmy Awards ceremony was a night to remember.  ITVS received three Emmy awards: Forever Pure (Independent Lens) for Outstanding Politics and Government Documentary; Abacus (FRONTLINE) for Outstanding Business and Economic Documentary; and

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    Diverse Stories From The Field

    August 30, 2018

    Starting a new project can be daunting for even the most veteran of filmmakers. From research and development to acquiring archival footage, where does one begin? The answers may lie in ITVS’s Diversity Development Fund, which provides you seed funding for all of the above and more.Hear from our filmmakers on how the Diversity Development Fund was

  3. Filmmaker, Festival Director, and Academic Gita Saedi Kiely Joins the ITVS Board of Directors

    August 1, 2018

    Elected in July, Gita Saedi Kiely has joined the ITVS Board of Directors. She is an accomplished leader who brings to the Board extensive experience in the documentary world.From 2012 to 2016, Saedi Kiely served as the Executive and Festival Director at the Big Sky Documentary Film Festival, in Missoula, MT, the premier non-fiction film destination in the

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    Approaches from Insiders and Outsiders

    July 11, 2018

    Illuminating the human condition: it’s a theme that pervades some of the most effective documentaries. Getting there has multiple paths and as a filmmaker, you have baggage you bring. For The Judge, filmmaker Erika Cohn was a complete outsider in her story and had to build trust with strangers. Bing Liu, on the other hand, mined his own community

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    When Brothers Tell A Story

    June 27, 2018

    Following the story of a group of Muslim morticians in Newark, NJ, the brother filmmaking team Zeshawn and Aman Ali learned invaluable lessons regarding death, faith, and community. Their ITVS Open Call funded Two Gods allowed them intimate access alongside their participants Furquan and Nas, giving the Ali brothers a space to work together and focus